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At a time when the earth seems to be sounding the alarm of a modern society obsessed with consumption, it is necessary to change our perception of the world in order to evolve our lifestyle towards a prosperous future.

From this mission the Design Social Club has made it its priority, this organization relies on the productive system at the origin of our ills to create utopian works working for a deep reflection on our relationship to the object. Design is no longer a tool for making people sell, but a medium for discussing life.

The legibility of this work oscillates between form, function and use. As in painting, the first reading approaches a pictorial rendering, an aesthetics proper to the physical appearance.The second time, more abstract, evokes its function by imposing a role on the form. This is where the use, this free zone, takes shape, allowing us to project through the object. We approach the world in this way, from this multiplied angle and through the association of images, we bring the visitor to confront the object with the practice to question this impalpable link that connects man to his environment. The work thus conceived is not limited to its formal contour to dictate an end but relies on its materiality to serve a discourse open to reflection. To the detriment of its alienating past, the object thus presents itself as a liberating tool of thought.

The world around us can be perceived according to what we see, what it has been made for, or the possibilities it offers. This last point of view is today, the cornerstone of the work of the Design Social Club.”

Design Social Club, December 2018.

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Mekbib Tadesse (crédits photo) – Alexandra Davy (crédits photos) – Aghate Micoulaud (traductions) – Louise Porte (crédits photos) – & Friends…

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www.designsocialclub.com